John Keats

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δе|}:"Keats" redirects here. For other meanings, see Keats (disambiguation).

John Keats (October 31, 1795February 23, 1821) was one of the principal poets of the English Romantic movement. 'During his short life', his work received constant critical attacks from the periodicals of the day, though politics, rather than aesthetics, often dictated those opinions. By the mid-nineteenth century, however, audiences began to appreciate more fully the significance of the cultural change his work both presaged and helped to form. Elaborate word choice and sensual imagery characterize Keats' poetry. He often felt himself working in the shadow of past poets, particularly Milton and Spenser, and only towards the end of his life produced his most original and most memorable poems, including a series of odes that remain among the most popular poems in English.


[edit] Life

Keats was born in Finsbury Pavement in London, where his father, Thomas Keats, was a hostler. The pub is now called "The John Keats at Moorgate," only a few yards from Moorgate station. Keats lived happily for the first seven years of his life. The beginnings of his troubles occurred in 1804, when his father died from a fractured skull after falling from his horse. His mother, Frances Jennings Keats, remarried soon afterwards, but as quickly left the new husband and moved herself and her four children (a son had died in infancy) to live with Keats' grandmother. There, Keats attended a school that first instilled in him a love of literature. In 1810, however, his mother died of tuberculosis, leaving him and his siblings in the custody of their grandmother.

The grandmother appointed two guardians to take care of her new 'charges', and these guardians removed Keats from his old school to become a surgeon's apprentice. This continued until 1814, when, after a fight with his master, he left his apprenticeship and became a student at a local hospital. During that year, he devoted more and more of his time to the study of literature. Keats travelled to the Isle of Wight in the spring of 1817, where he spent a week.

He soon found his brother, Tom Keats, entrusted to his care. Tom was suffering, as his mother had, from tuberculosis. Finishing his epic poem "Endymion", Keats left to stay and walk in Scotland and Ireland with his friend Charles Brown. However, he too began to show signs of tuberculosis infection on that trip, and returned prematurely. When he did, he found that Tom's condition had deteriorated, and that Endymion had, as had Poems before it, been the target of much abuse from the critics. In 1818, Tom Keats died from his infection, and John Keats moved again, to live in Brown's house in London. There he met Fanny Brawne, who with her mother had been staying at Brown's house, and he quickly fell in love. However, it was overall an unhappy affair for the poet; Keats' ardour for her seemed to bring him more vexation than comfort. The later (posthumous) publication of their correspondence was to scandalise Victorian society. In the diary of Fanny Brawne was found only one sentence regarding the separation: "Mr Keats has left Hampstead."

Life and Death masks, Rome

This relationship was cut short when, by 1820, Keats began showing worse signs of the disease that had plagued his family. On the suggestion of his doctors, he left the cold airs of London behind and moved to Italy with his friend Joseph Severn. Keats moved into a house on the Spanish Steps, in Rome, where despite attentive care from Severn and Dr. John Clark, the poet's health rapidly deteriorated. He died on February 23 1821 and was buried in the Protestant Cemetery, Rome. His last request was followed, and thus he was buried under a tomb stone reading, "Here lies one whose name was writ in water." His name does not appear on the stone.

Shelley and Byron erroneously blamed his death on an article published shortly before in the Quarterly Review, with a scathing attack on Keats's Endymion; 'snuffed out by an article' was Byron's phrase. The offending article was long believed to be written by William Gifford, though later shown to be the work of John Wilson Croker. Keat's death inspired Shelley to write the poem Adonais.

[edit] Career and criticism

His introduction to the work of Edmund Spenser, particularly The Faerie Queene, was to prove a turning point in Keats' development as a poet; it was to inspire Keats to write his first poem, Imitation of Spenser. He befriended Leigh Hunt, a poet and editor who published his first poem in 1816. In 1817, Keats published his first volume of poetry entitled simply Poems. Keats' Poems was not well received, largely due to his connection with the controversial Hunt. Keats produced some of his finest poetry during the spring and summer of 1819; in fact, the period from September 1818 to September 1819 is often referred to among Keats scholars as the Great Year, or the Living Year, because it was during this period that he was most productive and that he wrote his most critically acclaimed works. Several major events have been noted as factors in this increased productivity: namely, the death of his brother Tom, the critical reviews of Endymion, and his meeting of Fanny Brawne. The famous odes he produced during the spring and summer of 1819 include: Ode to Psyche, Ode on a Grecian Urn, Ode to a Nightingale, Ode on Melancholy, and To Autumn.

Keats developed his poetic theories, chief among them Negative Capability and The Mansion of Many Apartments, in letters to friends and family. In particular, he stated he wished to be a "chameleon poet" and to resist the "egotistical sublime" of Wordsworth's writing. Oscar Wilde, the aestheticist non pareil was to later write: "[...] who but the supreme and perfect artist could have got from a mere colour a motive so full of marvel: and now I am half enamoured of the paper that touched his hand, and the ink that did his bidding, grown fond of the sweet comeliness of his charactery, for since my childhood I have loved none better than your marvellous kinsman, that godlike boy, the real Adonis of our age[..] In my heaven he walks eternally with Shakespeare and the Greeks."

William Butler Yeats was intrigued by the contrast between the "deliberate happiness" of Keats's poetry and the sadness that characterised his life. He wrote in Ego Dominus Tuus (1915):

I see a schoolboy when I think of him,
With face and nose pressed to a sweet-shop window,
For certainly he sank into his grave
His senses and his heart unsatisfied,
And made – being poor, ailing and ignorant,
Shut out from all the luxury of the world,
The coarse-bred son of a livery-stable keeper –
Luxuriant song.

Wallace Stevens described Keats as the "Secretary for Porcelain" in Extracts from Addresses to the Academy of Fine Ideas.

Let the Secretary for Porcelain observe
That evil made magic, as in catastrophe,
If neatly glazed, becomes the same as the fruit
Of an emperor, the egg-plant of a prince.
The good is evil's last invention.

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John Keats

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